January 24, 2011 Rehearsal
Blake’s lines
1. Put real time into learning lines.
2. More aggressive tying Antonio to the pole.
3. Hannah, be more interested.
4. No smiles during slow motion.
5. Follow everyone with the light.
6. Carson, acknowledge people around you.
7. Baily, slow down and emphasize your accent.
8. Molly, listen to what people have to say.
Michelle’s notes.
1. More people noises during the court scene.
2. People noises.
3. Shylock – Barrabas
4. Slow motion in the end just like the beginning then break into action after Mark says his last line.
5. Hayden, work on fighting. Great job.
6. Savannah, be more embarrassed when Hayden is fighting Chavez.
7. Chavez and Carson, come out earlier and harass Jessica
8. Hannah, be in the café everytime someone is in there.
9. Don’t mess with props that are not yours – the TYPEWRITER
Cindy’s notes
1. Great murmuring at the beginning of the show
2. Salerio, great diction. I could understand you. Everyone else using an accent, work on being understood.
3. Salanio – ague – put your hand to your head as if feeling for a fever.
4. Bassanio and Antonio, use the small black table to use as a prop. Hannah, bring them a drink.
5. Hannah, good job in the beginning – very believable. Go from the café scene to Portia’s scene and put out caskets before the scene begins.
6. Slow down, Baily.
7. Zack and Chavez, go to bench – enter from DSL.
8. Mark, great posture at the café scene.
9. Brighter background on scrim for café scenes and Portia’s house.
10. Moroccan scene – all men come in together with the Moroccan.
11. More light on Portia’s scene.
12. Conner, we do not want to see transitions. Everyone help Conner with this. Use the sheet that tells you when to enter. Enter without causing a distraction.
13. Gormandise – look at pronunciation.
14. STEP ON LINES.
15. We have to move Portia’s house more right stage because of lighting.
16. Savannah, watch Fiddler on the Roof for a Yiddish accent. Go to the girls’ part. Ask Zack – he has the movie.
17. EVERYONE, look at the cuts.
18. Mica, Guess we need a wind noise before Basannio leaves on his voyage.
19. Sailors need cockney accents.
20. Arragon, change who?
21. Hayden, lading
22. Good job Baily.
I will not be here on Thursday or Friday. Ms. Noles and Ms. Elston will be there. Begin with Basannio about to leave. Continue through the court scene. Then start the play again. Chase and Cody - time it the second time around.
Ok ill look for wind also. I am looking for rolling thunder because the one we have is not working for me.
ReplyDeleteIts too fake and I know I can find a better one.
ReplyDeleteI think we should research to see what religions we would follow for the end scene. Would we all be Catholic?
ReplyDeleteGood job guys! The end needs some work but we can do it and please I'm getting pretty tired of having to tell people tostop messing with other props and to be quiet backstage. We REALLY need to get serious about this now, that means getting to practice on time and being ready and paying attention to the whole play and adding suggestions on how to improve things. If you're absent you need to bring a note telling why you were absent and give it to me.
ReplyDelete